{ "schema": 1, "updated": "2026-10-18", "studio": "Indalo Studio", "label": "Indalo Productions", "artist": "Steffen Frost", "intro": "Eighty sketches made in the Figure app in 2013 and 2014, and the new versions growing out of them.", "statuses": [ "Original", "Instrumental tests", "Style picked", "Lyrics", "Vocal version", "Final" ], "kinds": { "cover": "Cover", "instrumental": "Instrumental", "vocal": "Vocal" }, "suno_note": "Every take opens on suno.com. Takes marked public are published on Suno; the rest play from their direct link.", "originals": [ { "n": 1, "slug": "001-hutyjige-at-217-second-street", "title": "Hutyjige at 217 Second Street", "created": "2013-03-19 08:04 PT", "duration": "0:35", "plays": 6, "soundcloud": "https://soundcloud.com/steffenfrost/hutyjige-at-217-second-street", "sc_id": 83958451, "sc_artwork": "https://i1.sndcdn.com/artworks-000043331867-vq9owq-large.jpg", "cover": "covers/001.jpg?v=2", "status": "Vocal version", "description": "A brooding, hypnotic A-minor hook on long low notes, now growing into a City Hall elopement song.", "notes": [ "Vocal versions exist.", "Steffen's picks: Classic Rock, Roots Reggae, Synthwave, Cinematic, the hard rock vocal and Miami Vice vocal B.", "The wandering-melody redos are done.", "The lyrics need Steffen's own rewrite for copyright." ], "lyrics": { "title": "City Hall", "concept": "A quick weekday City Hall elopement: up the marble stairs, fill out the license, walk back down married. Nervous and secretive in the verse, opening into joy in the chorus.", "voice": "Female lead", "text": "[Verse]\nUp the stairs at City Hall,\nheels too loud in the marble hall,\nink and nerves and a borrowed pen,\nsign my name, then sign again.\n\n[Chorus]\nGoing up the stairs,\nfilling out the form,\nbringing down the bride\ninto the noonday storm.\nNo church bells, no one there,\njust a clerk who didn't care,\nand you and I on Second Street,\nthe whole world at our feet.\n\n[Solo]\n\n[Bridge]\nNobody knows yet, keep it quiet,\npaper rings till we can buy it.\n\n[Chorus]\nGoing up the stairs,\nfilling out the form,\nbringing down the bride\ninto the noonday storm.\nNo church bells, no one there,\njust a clerk who didn't care,\nand you and I on Second Street,\nthe whole world at our feet." }, "melody_profile": { "tempo": "117.5 BPM from the earlier Suno cover pass. My loop-period analysis gives about 115 (4-bar phrase about 8.4 s, 8-bar cycle 16.7 s). The style text says 117 BPM.", "key_mode": "A minor center (A and C dominate). Flurries add Bb (b2) and Eb (b5), giving a dark Phrygian/Locrian color. Moderate confidence.", "range": "A2 to Eb4, about 1.5 octaves. Mostly low register.", "contour_hooks": "Main hook is a slow low oscillation A to C to A (a repeated minor third, the commonest interval motif) on held notes of 0.5-0.9 s, answered by short fast upward flurries D3, A3, Bb3, D4, Eb4.", "rhythm_phrasing": "Long held tones alternate with quick 16th-note bursts. 4-bar phrases repeat about twice.", "texture": "Strongly harmonic, about 17x more harmonic than percussive energy, so the melody is the main content.", "mood": "Brooding, hypnotic, nocturnal." }, "families": [ { "id": "figure-covers", "name": "Figure covers", "kind": "cover", "blurb": "First pass: Suno Cover of the uploaded Figure clip in two fixed house styles.", "runs": [ { "name": "Desert Noir", "style": "Moody desert noir spaghetti-western, 117 BPM steady groove, twangy baritone guitar with tremolo, upright bass, brushed snare, harmonica, mariachi trumpet, sparse and cinematic, male storytelling vocal, acoustic instruments only, no electronic drums, no drum machine, no synths, no synth bells, no cymbals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "338b7316-1897-41a1-aa0d-b8f83b688f07", "len_s": 127.2, "match": 0.107, "best": true, "public": false }, { "id": "11384487-e80c-4b2b-b8f8-5aad55d135e1", "len_s": 157.2, "match": 0.099, "best": false, "public": false } ], "note": null }, { "name": "String Band", "style": "Bluegrass Americana string band, 117 BPM driving train beat, banjo, fiddle, mandolin, dobro, upright bass, warm harmonies, male lead vocal, acoustic instruments only, no drums, no electronic drums, no drum machine, no synths, no synth bells, no cymbals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "b6da7f3e-214c-4c86-bac4-0c30241f7506", "len_s": 138.0, "match": 0.116, "best": true, "public": false }, { "id": "098a2fc9-0380-4e25-b01e-697c8c46174d", "len_s": 153.08, "match": 0.094, "best": false, "public": false } ], "note": null } ] }, { "id": "genre-spread", "name": "Genre spread", "kind": "instrumental", "blurb": "Twelve genres at the original settings, to hear which directions the melody survives.", "runs": [ { "name": "Classic rock", "style": "Classic rock, 117 BPM, crunchy overdriven electric guitars, Hammond organ, bass guitar, live acoustic drum kit, 70s arena rock, guitar lead carrying the melody, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": true, "clips": [ { "id": "109983b6-9aa2-474c-ab4f-320d5f98d94d", "len_s": 154.8, "match": 0.103, "best": true, "public": true, "bpm": 117.5 }, { "id": "3f415376-f4ea-4b57-8231-76e471c9f782", "len_s": 154.8, "match": 0.047, "best": false, "public": true, "bpm": 117.5 } ] }, { "name": "Roots reggae", "style": "Roots reggae, one-drop rhythm with half-time feel at 117 BPM, offbeat skank guitar, deep round bass, organ bubble, live drums, melodica lead, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": true, "clips": [ { "id": "efa0cc93-6d0d-491a-814e-eb7f9a6ca8c5", "len_s": 186.36, "match": 0.097, "best": true, "public": true, "bpm": 117.5 }, { "id": "82523447-6789-40b3-9ad1-29306dd1ee7c", "len_s": 156.0, "match": 0.092, "best": false, "public": true, "bpm": 117.5 } ] }, { "name": "Electronic synthwave", "style": "Synthwave, 117 BPM, analog synth lead carrying the melody, arpeggiated bass synth, gated reverb drum machine, lush pads, retro 80s night-drive, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": true, "clips": [ { "id": "dc94d94e-b774-4a0b-92fc-451d88a2eb86", "len_s": 177.52, "match": 0.035, "best": true, "public": true, "bpm": 117.5 }, { "id": "2140ef0b-9956-4e6e-82c7-f428045c32ba", "len_s": 177.6, "match": 0.027, "best": false, "public": true, "bpm": 117.5 } ] }, { "name": "Cinematic orchestral", "style": "Cinematic orchestral score, 117 BPM, full symphony orchestra, soaring strings, French horns, timpani, harp, epic film-trailer build, live orchestra, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": true, "clips": [ { "id": "41f5fd81-f783-49c8-ac52-4c4787d2cb05", "len_s": 138.8, "match": 0.029, "best": true, "public": true, "bpm": 117.5 }, { "id": "2e6a0b46-9f62-4130-a3b4-bfcfd87ccd23", "len_s": 133.2, "match": 0.028, "best": false, "public": true, "bpm": 117.5 } ] }, { "name": "Classical chamber", "style": "Classical chamber music, string quartet and grand piano, two violins, viola, cello, expressive romantic phrasing, concert hall acoustics, moderate tempo around 117 BPM, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "cf0f99d0-7b21-42d9-8f15-5dea58e48aa5", "len_s": 171.96, "match": 0.102, "best": true, "public": false, "bpm": 92.3 }, { "id": "f2fcdbe4-4722-48a8-b445-752b9cdb877f", "len_s": 182.4, "match": 0.087, "best": false, "public": false, "bpm": 92.3 } ] }, { "name": "Delta blues", "style": "Delta blues, 117 BPM loping shuffle, acoustic slide guitar on resonator, fingerpicked bass line, harmonica, foot stomp, raw porch recording, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "981a9a9a-9fa9-4b1f-b559-f6563858aaf6", "len_s": 126.36, "match": 0.101, "best": true, "public": false, "bpm": 117.5 }, { "id": "31878a42-a76f-4f6e-875a-1bdbf71e8de7", "len_s": 136.0, "match": 0.072, "best": false, "public": false, "bpm": 92.3 } ] }, { "name": "70s funk", "style": "70s funk, 117 BPM tight groove, slap bass, clavinet, wah-wah rhythm guitar, horn section stabs, live drums with syncopated hi-hat, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "566eddcd-08ee-4e55-bc5d-e50004dc5e73", "len_s": 136.4, "match": 0.091, "best": true, "public": false, "bpm": 92.3 }, { "id": "1b586c9a-ed30-4f75-b04f-8ed0ad5d2a4e", "len_s": 135.96, "match": 0.083, "best": false, "public": false, "bpm": 92.3 } ] }, { "name": "Cool jazz", "style": "Cool jazz, 117 BPM relaxed swing, muted trumpet, tenor saxophone, upright bass, brushed drums, piano comping, West Coast late-50s club feel, live acoustic band, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "7575533f-8b5a-46cb-9642-42a406f8be61", "len_s": 187.2, "match": 0.077, "best": true, "public": false, "bpm": 112.3 }, { "id": "30a93883-16fb-4ce9-a568-c9e03b6977ca", "len_s": 172.96, "match": 0.066, "best": false, "public": false, "bpm": 112.3 } ] }, { "name": "Celtic folk", "style": "Celtic folk, 117 BPM lilting jig feel, tin whistle and fiddle lead, uilleann pipes, acoustic guitar, bodhran, Irish session pub atmosphere, acoustic instruments only, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "36357d34-9bf3-4a32-a140-285921e7bf9a", "len_s": 137.16, "match": 0.072, "best": true, "public": false, "bpm": 117.5 }, { "id": "d9e00884-a19c-46ab-9c7a-0a62aa4bd613", "len_s": 127.96, "match": 0.059, "best": false, "public": false, "bpm": 117.5 } ] }, { "name": "Bossa nova", "style": "Bossa nova, 117 BPM gentle syncopation, nylon-string guitar, soft flute lead, upright bass, brushed snare and shaker, Rio 1960s, acoustic instruments only, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "da97b2ca-c1bd-4b22-b209-076bd1f3a915", "len_s": 153.6, "match": 0.067, "best": true, "public": false, "bpm": 117.5 }, { "id": "05a51d0f-76cb-42d9-bfe0-eddf43a54e02", "len_s": 153.6, "match": 0.043, "best": false, "public": false, "bpm": 117.5 } ] }, { "name": "Ambient", "style": "Ambient, slow evolving soundscape, warm synth pads, soft electric piano melody, granular textures, long reverb tails, no drums, gentle pulse around 117 BPM, instrumental, no vocals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "0702b612-23e9-4a34-ad37-cb796e359723", "len_s": 179.96, "match": 0.043, "best": true, "public": false, "bpm": 92.3 }, { "id": "dfde27b7-86ee-4731-af5c-f9bb095027e1", "len_s": 192.76, "match": 0.015, "best": false, "public": false, "bpm": 92.3 } ] }, { "name": "Boom-bap hip-hop", "style": "Boom-bap hip-hop instrumental beat, 90 BPM head-nod tempo, dusty sampled drums, vinyl crackle, deep bass, chopped piano and jazz sample loop carrying the melody, MPC swing, instrumental, no vocals, no rap", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "4e4d2a4c-4b92-4387-ad19-53c672190d0c", "len_s": 119.96, "match": 0.037, "best": true, "public": false, "bpm": 92.3 }, { "id": "5a9af88d-c5d0-4f35-91ea-b9b88686cbc0", "len_s": 64.88, "match": -0.002, "best": false, "public": false, "bpm": 89.1 } ] } ] }, { "id": "melody-forward", "name": "Melody-forward", "kind": "instrumental", "blurb": "Melody is the star: one lead voice carries the tune, the style grows out of the melody, sparse support underneath.", "runs": [ { "name": "Duduk Lament", "style": "Melody-forward instrumental, memorable singable lead melody on Armenian duduk, close-miked and front and center, Armenian folk lament, duduk sings the brooding minor-third hook in long held notes, soft low drone underneath, gentle frame drum on the downbeat only, sparse and spacious, dry intimate room, dark Phrygian color, 117 BPM", "exclude": "drum kit, string section, synth pads, oud solo, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: duduk lead only]\n[Instrumental Verse: duduk carries the main melody, sparse]\n[Instrumental Chorus: duduk repeats the hook, soft frame drum enters]\n[Instrumental Verse: duduk carries the main melody, sparse]\n[Instrumental Chorus: duduk repeats the hook]\n[Instrumental Outro: duduk alone, fade out]", "why": "The hook is long breathy held minor-third tones with a b2 inflection, which is what the duduk was made for.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "4e9992ad-6890-4e71-b7d3-1317004d6e72", "len_s": 173.2, "match": 0.121, "best": true, "public": false, "bpm": 92.3 }, { "id": "32b0e722-17f6-43ca-9063-f5a968f04fae", "len_s": 172.8, "match": 0.113, "best": false, "public": false, "bpm": 92.3 } ] }, { "name": "Andalusian Phrygian Guitar", "style": "Melody-forward instrumental, memorable singable lead melody on solo flamenco nylon-string guitar, close-miked and front and center, Andalusian Phrygian mode, guitar states the low A-C hook clearly and repeats it, runs only where the melody runs, soft palmas and light cajon far back in the mix, sparse, warm dry room, 117 BPM", "exclude": "rasgueado strumming, flamenco singing, jaleo shouts, bass guitar, drum kit, strings, piano, shredding, virtuosic solos, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: nylon guitar lead only]\n[Instrumental Verse: nylon guitar carries the main melody, sparse]\n[Instrumental Chorus: nylon guitar repeats the hook, soft palmas enter]\n[Instrumental Verse: nylon guitar carries the main melody, sparse]\n[Instrumental Chorus: nylon guitar repeats the hook]\n[Instrumental Outro: nylon guitar alone, fade out]", "why": "A Bb over an A center is the Phrygian b2 that defines flamenco's Andalusian mode.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "0fea095d-9c3f-4972-a3d0-7b630397549c", "len_s": 138.0, "match": 0.087, "best": true, "public": false, "bpm": 92.3 }, { "id": "a09f486c-a63c-4348-8c56-426b7dee8cbc", "len_s": 138.0, "match": 0.084, "best": false, "public": false, "bpm": 92.3 } ] }, { "name": "Addis Vibraphone", "style": "Melody-forward instrumental, memorable singable lead melody on vibraphone with soft mallets, close-miked and front and center, 1970s Ethiopian modal groove, hypnotic repeated minor hook, vibraphone doubles the melody in octaves, quiet upright bass pulse, light hand drum low in the mix, sparse, warm analog tape, 117 BPM", "exclude": "horn section, saxophone solo, organ, swing jazz, drum solo, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: vibraphone lead only]\n[Instrumental Verse: vibraphone carries the main melody, sparse]\n[Instrumental Chorus: vibraphone repeats the hook, upright bass pulse enters]\n[Instrumental Verse: vibraphone carries the main melody, sparse]\n[Instrumental Chorus: vibraphone repeats the hook]\n[Instrumental Outro: vibraphone alone, fade out]", "why": "A short circling minor motif repeated over an 8-bar cycle, colored by b2 and b5, matches how Ethiopian modal grooves loop a hook.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "1685fadd-4d64-452b-a0b0-4b4c4240a7e1", "len_s": 174.08, "match": 0.095, "best": true, "public": false, "bpm": 92.3 }, { "id": "244dcfe5-d975-467f-8fe7-77a40f79a8cb", "len_s": 158.4, "match": 0.089, "best": false, "public": false, "bpm": 92.3 } ] }, { "name": "Space-Age Theremin", "style": "Melody-forward instrumental, memorable singable lead melody on theremin, dry and close, front and center, 1950s space-age exotica, theremin glides between the held low notes of the hook, eerie tritone color, soft muted bongos and a quiet marimba pulse low in the mix, sparse, vintage mono tape warmth, 117 BPM", "exclude": "orchestra, strings, synth pads, drum kit, busy percussion, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: theremin lead only]\n[Instrumental Verse: theremin carries the main melody, sparse]\n[Instrumental Chorus: theremin repeats the hook, muted bongos enter]\n[Instrumental Verse: theremin carries the main melody, sparse]\n[Instrumental Chorus: theremin repeats the hook]\n[Instrumental Outro: theremin alone, fade out]", "why": "The hook's held tones and the tritone (Eb) flurry suit the theremin's glide and eeriness, and exotica keeps the band light.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "5d322a68-d6fb-410d-b9b0-bc022ce9a99e", "len_s": 159.16, "match": 0.126, "best": true, "public": false, "bpm": 92.3 }, { "id": "00966611-24e6-426e-b0cd-7d585caa070c", "len_s": 138.36, "match": 0.115, "best": false, "public": false, "bpm": 92.3 } ] } ] }, { "id": "jan-hammer", "name": "Miami night drive", "kind": "instrumental", "blurb": "Jan Hammer-style mid-80s crime-drama synth score, described in sound terms (Suno blocks artist names). The vocal take is in the Vocal family.", "runs": [ { "name": "Miami Synth Instrumental", "why": "Jan Hammer / Miami Vice-style synth score reference, described in sound terms.", "style": "Melody-forward instrumental, memorable lead melody on expressive pitch-bending Fairlight-style synth lead (synth guitar), front and center, mid-80s Miami crime-drama TV score, pulsing sequenced synth bass, gated reverb LinnDrum-style drums, DX7 electric piano stabs, lush analog pads low in the mix, neon night drive, 117 BPM", "exclude": "vocals, humming, choir, acoustic guitar, orchestra, rap, countermelody, competing lead", "lyrics_box": "[Instrumental Intro]\n[Instrumental Verse: synth lead carries the main melody]\n[Instrumental Chorus: synth lead repeats the hook]\n[Synth Solo]\n[Instrumental Chorus]\n[Instrumental Outro: fade out]", "sung_lyrics": false, "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "44d0503e-ace1-40d7-9bfc-0eeab973f8ae", "len_s": 154.4, "match": 0.078, "best": true, "public": false, "match_window": "75s" }, { "id": "820b8678-d879-41a6-9aa5-24aa5f0ffcd2", "len_s": 141.96, "match": 0.061, "best": false, "public": false, "match_window": "75s" } ], "note": null, "run_at": "2026-10-17 ~21:00-21:06 PT" } ] }, { "id": "vocal", "name": "Vocal", "kind": "vocal", "blurb": "Female lead (punk adds a male harmony voice), City Hall elopement lyrics. Same melody, different eras.", "runs": [ { "name": "80s Melodic Hard Rock", "why": "Night Ranger-style 80s arena hard rock reference, described in sound terms.", "style": "Melody-forward 80s melodic hard rock anthem, powerful soaring female rock lead vocal sings the main melody front and center, twin harmony lead guitars, crunchy palm-muted riffs, big gang-vocal choruses, driving live drums, arena rock energy, polished 1983 production, 117 BPM", "exclude": "male vocals, rap, synth pads, electronic drums, growling, screaming, wall of noise", "lyrics_box": null, "sung_lyrics": true, "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": true, "clips": [ { "id": "93ce03dc-c18f-4509-9391-a590f52b2af7", "len_s": 136.8, "match": 0.096, "best": true, "public": true, "match_window": "75s", "note": "Tracks the melody a bit more closely once the vocal enters" }, { "id": "1575542a-49c1-429f-b516-9cb590d39bf3", "len_s": 151.96, "match": 0.078, "best": false, "public": true, "match_window": "75s" } ], "note": "Solo section tag: [Guitar Solo].", "run_at": "2026-10-17 ~21:45 PT" }, { "name": "Miami Synth-Pop Vocal", "why": "Jan Hammer / Miami Vice-style synth-pop reference, described in sound terms.", "style": "Melody-forward mid-80s Miami crime-drama synth-pop, sultry confident female lead vocal sings the main melody front and center, pulsing sequenced synth bass, gated reverb LinnDrum-style drums, DX7 electric piano stabs, lush analog pads low in the mix, neon night drive, 117 BPM", "exclude": "male vocals, rap, acoustic guitar, orchestra, screaming", "lyrics_box": null, "sung_lyrics": true, "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "ca14eeac-27a4-423f-9d59-64fec357fca3", "len_s": 137.2, "match": 0.086, "best": true, "public": false, "match_window": "75s" }, { "id": "16b237dd-2a61-426c-b05f-ce1570a81213", "len_s": 159.2, "match": 0.039, "best": false, "public": true, "match_window": "75s", "pick": true, "pick_note": "Steffen loves that it departs from the melody and returns." } ], "note": "Solo section tag: [Synth Solo].", "run_at": "2026-10-17 ~21:00-21:06 PT" }, { "name": "Early-80s LA Punk Vocal", "why": "X-style early-80s LA punk reference, described in sound terms.", "style": "Melody-forward early-80s Los Angeles punk rock, raw dual vocals with a tough female lead and a male voice in loose off-kilter harmony singing the main melody front and center, fast rockabilly-tinged punk guitar, driving upright-feel bass, pounding live drums, raw garage production, urgent and poetic", "exclude": "synths, electronic drums, polished production, orchestra, rap, growling", "lyrics_box": null, "sung_lyrics": true, "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "2ece5046-6a12-4a56-813e-820e5520d8df", "len_s": 101.96, "match": 0.109, "best": true, "public": false, "match_window": "75s" }, { "id": "5382f480-a5bb-40c5-93b5-395761d0191e", "len_s": 128, "match": 0.083, "best": false, "public": false, "match_window": "75s" } ], "note": "Solo section tag: [Guitar Solo].", "run_at": "2026-10-17 ~21:00-21:06 PT" }, { "name": "Late-80s Australian Funk Rock Vocal", "why": "INXS-style late-80s funk rock reference, described in sound terms.", "style": "Melody-forward late-80s Australian funk rock, sultry confident female lead vocal sings the main melody front and center, choppy funky rhythm guitar, punchy saxophone stabs, tight danceable drums, slinky bass groove, polished 1987 production", "exclude": "male vocals, rap, orchestra, acoustic guitar, screaming", "lyrics_box": null, "sung_lyrics": true, "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "ba5f540f-adaf-4c4f-8560-4b2f830e998f", "len_s": 152.36, "match": 0.103, "best": true, "public": false, "match_window": "75s" }, { "id": "1ae41619-eaf2-421e-a8d4-e71b6979d183", "len_s": 138.8, "match": 0.096, "best": false, "public": false, "match_window": "75s" } ], "note": "Solo section tag: [Sax Solo].", "run_at": "2026-10-17 ~21:00-21:06 PT" }, { "name": "Late-70s Detroit Hard Rock Vocal", "why": "Ted Nugent-style late-70s Detroit hard rock reference, described in sound terms.", "style": "Melody-forward late-70s Detroit hard rock, powerful gritty female lead vocal sings the main melody front and center, wild screaming overdriven Gibson Byrdland-style lead guitar, swaggering riff, feedback squeals, pounding live drums, raw arena energy, 1977 production", "exclude": "synths, electronic drums, rap, orchestra, growling", "lyrics_box": null, "sung_lyrics": true, "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "c01136e2-949a-4319-b9f5-add47fbebb86", "len_s": 152, "match": 0.12, "best": true, "public": false, "match_window": "75s" }, { "id": "1f52e974-724d-4c1c-ab89-6baadea4851f", "len_s": 155.2, "match": 0.112, "best": false, "public": false, "match_window": "75s" } ], "note": "Solo section tag: [Extended Guitar Solo].", "run_at": "2026-10-17 ~21:00-21:06 PT" } ] }, { "id": "wander", "name": "Wandering melody redos", "kind": "vocal", "blurb": "Verses wander and improvise away from the main melody; the chorus returns home.", "runs": [ { "name": "Hutyjige LA Punk Vocal (wander)", "why": "X-style punk, wandering melody reference, described in sound terms.", "style": "Melody-forward early-80s Los Angeles punk rock, verses wander and improvise away from the main melody, chorus returns home to the main melody, contrasting bridge, tough sneering female lead vocal with occasional male backing harmony singing the main melody front and center, fast rockabilly-tinged punk guitar, driving upright-feel bass, pounding live drums, raw garage production, urgent and poetic", "exclude": "synths, electronic drums, polished production, orchestra, rap, growling", "lyrics_box": null, "sung_lyrics": true, "settings": { "audio_influence": 70, "style_influence": 60, "weirdness": 20, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "4f9c6eac-88bb-41d9-bcba-2777ca659dc7", "len_s": 111.56, "match": 0.102, "best": true, "public": false, "match_window": "75s" }, { "id": "af771905-be02-4a92-b4f5-ce7b5f1e2a26", "len_s": 126, "match": 0.092, "best": false, "public": false, "match_window": "75s" } ], "note": "Solo section tag: [Guitar Solo].", "run_at": "2026-10-17 ~21:26-21:28 PT" }, { "name": "Hutyjige Australian Funk Rock Vocal (wander)", "why": "INXS-style funk rock, wandering melody reference, described in sound terms.", "style": "Melody-forward late-80s Australian funk rock, verses wander and improvise away from the main melody, chorus returns home to the main melody, contrasting bridge, sultry confident female lead vocal sings the main melody front and center, choppy funky rhythm guitar, punchy saxophone stabs, tight danceable drums, slinky bass groove, polished 1987 production", "exclude": "male vocals, rap, orchestra, acoustic guitar, screaming", "lyrics_box": null, "sung_lyrics": true, "settings": { "audio_influence": 70, "style_influence": 60, "weirdness": 20, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "12bdec91-54a3-4cea-8689-cbc7cd8e1bd4", "len_s": 152.4, "match": 0.093, "best": true, "public": false, "match_window": "75s" }, { "id": "2c83aa71-d87b-434e-8757-9623e8b846d8", "len_s": 154.8, "match": 0.081, "best": false, "public": false, "match_window": "75s" } ], "note": "Solo section tag: [Sax Solo].", "run_at": "2026-10-17 ~21:26-21:28 PT" }, { "name": "Hutyjige Detroit Hard Rock Vocal (wander)", "why": "Ted Nugent-style hard rock, wandering melody reference, described in sound terms.", "style": "Melody-forward late-70s Detroit hard rock, verses wander and improvise away from the main melody, chorus returns home to the main melody, contrasting bridge, powerful gritty female lead vocal sings the main melody front and center, wild screaming overdriven Gibson Byrdland-style lead guitar, swaggering riff, feedback squeals, pounding live drums, raw arena energy, 1977 production", "exclude": "synths, electronic drums, rap, orchestra, growling", "lyrics_box": null, "sung_lyrics": true, "settings": { "audio_influence": 70, "style_influence": 60, "weirdness": 20, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "42ffa841-1368-4048-899d-162456349d7b", "len_s": 168, "match": 0.133, "best": true, "public": false, "match_window": "75s" }, { "id": "18d33d0f-38e3-4c7c-a8ec-58b72312ceb9", "len_s": 173, "match": 0.103, "best": false, "public": false, "match_window": "75s" } ], "note": "Solo section tag: [Extended Guitar Solo].", "run_at": "2026-10-17 ~21:26-21:28 PT" } ] } ], "next_up": false }, { "n": 2, "slug": "002-dypigobojy", "title": "Dypigobojy", "created": "2013-03-19 08:09 PT", "duration": "0:34", "plays": 7, "soundcloud": "https://soundcloud.com/steffenfrost/dypigobojy", "sc_id": 83959091, "sc_artwork": "https://i1.sndcdn.com/artworks-000043332158-6nahff-large.jpg", "cover": "covers/002.jpg?v=2", "status": "Vocal version", "description": "A pentatonic tune of high calls that leap down to low answers.", "notes": [ "Steffen loved Baritone guitar rock A (a7e7d293) from the octave-down classic-rock pass.", "Golden Gate lyric draft uses his chorus seed, Orange sky over the Golden Gate; rewrite still needed for copyright weight.", "Vocal pick: Golden Gate key-lift B (22e7d8c2), real whole-step key change at ~2:32." ], "lyrics": { "title": "Golden Gate", "concept": "SOMA to Marina Muni commute after work, drinks with friends on Chestnut, Crissy Field sunset. Steffen's chorus seed: 'Orange sky over the Golden Gate'. Assistant draft is scaffolding only.", "voice": "Male baritone lead", "text": "[Intro: baritone guitar states the theme]\n\n[Verse 1]\nFive o'clock on Howard, loosen up the tie,\ntwo blocks up to Third Street, catch the 30 rolling by,\nChinatown is steaming, red lanterns overhead,\nColumbus cuts the corner, North Beach smells like bread.\n\n[Chorus: main melody, full band]\nOrange sky over the Golden Gate,\nthe crew's on Chestnut and the drinks won't wait,\ndown by the harbor where the sailboats sway,\norange sky over the Golden Gate.\n\n[Verse 2: melody wanders, half-time feel]\nVan Ness to Chestnut, I pull the cord and run,\nthe gang's already laughing, there's a round for everyone,\nsalt on the window, the jukebox playing slow,\nwe finish up our glasses and follow where the gulls go.\n\n[Chorus: main melody returns home]\nOrange sky over the Golden Gate,\nthe crew's on Chestnut and the drinks won't wait,\ndown by the harbor where the sailboats sway,\norange sky over the Golden Gate.\n\n[Bridge: new contrasting idea]\nOut along the seawall, the masts are clicking in the breeze,\nCrissy Field in sandals, cold wind coming off the sea,\nthe fog stays out past Alcatraz, it's holding back for us,\nand nobody's in a hurry, nobody's chasing the bus.\n\n[Breakdown: half-time, sparse, melody breathes]\nSlow it down, let the light go,\nfootprints in the sand below,\nnobody talking, just the waves,\norange sky... over the Golden Gate.\n\n[Final Chorus: full energy]\nOrange sky over the Golden Gate,\nthe week is over and the night can wait,\nwalking Crissy Field while the sun goes down,\nthe bridge on fire over my old town,\norange sky over the Golden Gate.\n\n[Outro: baritone guitar fades]\nOrange sky... over the Golden Gate." }, "melody_profile": { "tempo": "About 120 BPM. The audio repeats exactly every 16.0 s (8 bars of 2.0 s). Fairly confident, though not checked against a Suno pass.", "key_mode": "Pentatonic: C, G, A, E, almost no half steps. C major / A minor pentatonic; key estimate A minor (correlation 0.76) or its relative C major.", "range": "Melody C5 to C6 (about 1 octave, high register). Low answers drop to G3/C3.", "contour_hooks": "High call (C6, C5, A5 repeated, then a C6 held about 1.9 s), then a large downward leap to a low answer (G3, C5, G4 long), a second call (A5, G5, E5, then E4 held), and a low tail (A2, C3 long). The 8-bar phrase repeats almost note for note. 51% of intervals are leaps.", "rhythm_phrasing": "Slow, singable notes (median 0.34 s) with long sustained peaks. Call-and-response between registers.", "texture": "Mixed harmonic and percussive with a steady beat. Brightest timbre of the three.", "mood": "Open, bright, yearning, playful." }, "families": [ { "id": "figure-covers", "name": "Figure covers", "kind": "cover", "blurb": "First pass: Suno Cover of the uploaded Figure clip in two fixed house styles.", "runs": [ { "name": "Desert Noir", "style": "Moody desert noir spaghetti-western, 117 BPM steady groove, twangy baritone guitar with tremolo, upright bass, brushed snare, harmonica, mariachi trumpet, sparse and cinematic, male storytelling vocal, acoustic instruments only, no electronic drums, no drum machine, no synths, no synth bells, no cymbals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "116632c5-a057-4f67-9f6a-179e35260516", "len_s": 154.4, "match": null, "best": false, "public": false }, { "id": "df41e369-1e83-442b-a9c2-d4026505718d", "len_s": 158.0, "match": null, "best": false, "public": false } ], "note": "generated before scope change; not ranked" }, { "name": "String Band", "style": "Bluegrass Americana string band, 117 BPM driving train beat, banjo, fiddle, mandolin, dobro, upright bass, warm harmonies, male lead vocal, acoustic instruments only, no drums, no electronic drums, no drum machine, no synths, no synth bells, no cymbals", "exclude": null, "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 67, "style_influence": 70, "weirdness": 10, "model": "v6 (chirp-hawk)", "lyrics_box": "[Instrumental]" }, "pick": false, "clips": [ { "id": "e07c8d30-95d7-4c99-86c8-7dd6d3f1b371", "len_s": 123.2, "match": null, "best": false, "public": false }, { "id": "ad7a137d-d015-47ff-b67d-49b3c5b0090f", "len_s": 146.72, "match": null, "best": false, "public": false } ], "note": "generated before scope change; not ranked" } ] }, { "id": "melody-forward", "name": "Melody-forward", "kind": "instrumental", "blurb": "Melody is the star: one lead voice carries the tune, the style grows out of the melody, sparse support underneath.", "runs": [ { "name": "Andean Quena", "style": "Melody-forward instrumental, memorable singable lead melody on Andean quena flute, close-miked and front and center, Andean huayno, bright pentatonic hook with long held high notes and leaps down to low answers, soft charango strums and a gentle bombo drum far back, sparse, airy natural room, 120 BPM", "exclude": "pan flute ensemble, busy strumming, drum kit, synth pads, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: quena lead only]\n[Instrumental Verse: quena carries the main melody, sparse]\n[Instrumental Chorus: quena repeats the hook, soft charango strums enter]\n[Instrumental Verse: quena carries the main melody, sparse]\n[Instrumental Chorus: quena repeats the hook]\n[Instrumental Outro: quena alone, fade out]", "why": "Pure pentatonic in a high register with sustained peaks is the native territory of the quena.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "ddc3a63b-c2fd-47e5-a587-8596c6ccbf6c", "len_s": 166.4, "match": 0.112, "best": true, "public": false, "bpm": 117.5 }, { "id": "a5b95cec-da2b-4f97-a4bc-7da1851ce619", "len_s": 157.96, "match": 0.102, "best": false, "public": false, "bpm": 95.7 } ] }, { "name": "Erhu Pentatonic Song", "style": "Melody-forward instrumental, memorable singable lead melody on erhu, close-miked and front and center, Chinese folk instrumental, erhu sings the pentatonic call in long sustained high notes with gentle slides, low answering phrases, sparse guzheng plucks and soft hand drum underneath, quiet and spacious, warm intimate recording, 120 BPM", "exclude": "orchestra, string section, guzheng solo, drum kit, synth, cinematic, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: erhu lead only]\n[Instrumental Verse: erhu carries the main melody, sparse]\n[Instrumental Chorus: erhu repeats the hook, sparse guzheng plucks enter]\n[Instrumental Verse: erhu carries the main melody, sparse]\n[Instrumental Chorus: erhu repeats the hook]\n[Instrumental Outro: erhu alone, fade out]", "why": "Long held C6 peaks and big leaps need a bowed voice that sustains and slides, and pentatonic is the Chinese folk scale.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "54496c65-8ad9-4f7e-9c01-fcb7fe580874", "len_s": 147.2, "match": 0.097, "best": true, "public": false, "bpm": 161.5 }, { "id": "5af4ddd8-bb13-4703-b4ab-302709161634", "len_s": 144.0, "match": 0.095, "best": false, "public": false, "bpm": 161.5 } ] }, { "name": "Tenor Steelpan Calypso", "style": "Melody-forward instrumental, memorable singable lead melody on a single tenor steelpan, close-miked and front and center, gentle Trinidad calypso, pan plays the bright pentatonic call-and-response hook with rolled sustained notes, soft nylon guitar chords and light shaker low in the mix, sparse, sunny, clean dry mix, 120 BPM", "exclude": "steel band ensemble, soca, reggae, horn section, drum kit, busy percussion, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: tenor steelpan lead only]\n[Instrumental Verse: tenor steelpan carries the main melody, sparse]\n[Instrumental Chorus: tenor steelpan repeats the hook, light shaker enters]\n[Instrumental Verse: tenor steelpan carries the main melody, sparse]\n[Instrumental Chorus: tenor steelpan repeats the hook]\n[Instrumental Outro: tenor steelpan alone, fade out]", "why": "A bright, playful high-register pentatonic call-and-response hook is classic lead-pan material.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "d637fe97-a9c2-4406-bed4-81c69d46944b", "len_s": 114.8, "match": 0.09, "best": true, "public": false, "bpm": 95.7 }, { "id": "c66165e6-d524-478f-ba8b-50b21dc0bf64", "len_s": 132.32, "match": 0.084, "best": false, "public": false, "bpm": 95.7 } ] }, { "name": "Hawaiian Lap Steel", "style": "Melody-forward instrumental, memorable singable lead melody on Hawaiian lap steel guitar, close-miked and front and center, 1950s Hawaiian instrumental, steel slides into long held high notes and leaps to low answers, soft ukulele chords and gentle upright bass far back, sparse, relaxed, warm vintage mono recording, 120 BPM", "exclude": "country, bluegrass, banjo, fiddle, drum kit, busy strumming, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: lap steel guitar lead only]\n[Instrumental Verse: lap steel guitar carries the main melody, sparse]\n[Instrumental Chorus: lap steel guitar repeats the hook, soft ukulele chords enter]\n[Instrumental Verse: lap steel guitar carries the main melody, sparse]\n[Instrumental Chorus: lap steel guitar repeats the hook]\n[Instrumental Outro: lap steel guitar alone, fade out]", "why": "Sustained high peaks and big downward leaps are what a lap steel's slide does naturally, over a major-pentatonic melody.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "42d0f51b-3c2d-44e6-8f02-a157fea9c3fb", "len_s": 157.96, "match": 0.122, "best": true, "public": false, "bpm": 95.7 }, { "id": "3ccb79a4-2f90-4c21-ba50-642d956acb30", "len_s": 138.4, "match": 0.112, "best": false, "public": false, "bpm": 95.7 } ] } ] }, { "id": "genre-spread", "name": "Genre instrumentals", "kind": "instrumental", "blurb": "Six melody-forward genre instrumentals, made without the wander rule.", "runs": [ { "name": "Classic Rock", "style": "Melody-forward instrumental, memorable lead melody on overdriven electric lead guitar front and center, classic rock, 120 BPM, crunchy overdriven rhythm guitar, Hammond organ, bass guitar, live acoustic drum kit, 70s arena rock", "exclude": "vocals, humming, choir, countermelody, competing lead, dense layering", "lyrics_box": "[Instrumental Intro]\n[Instrumental Verse: electric lead guitar carries the main melody]\n[Instrumental Chorus: electric lead guitar repeats the hook]\n[Guitar Solo]\n[Instrumental Chorus]\n[Instrumental Outro: fade out]", "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "92b85567-3f73-44f8-bbfb-ec20e86ee059", "len_s": 132.28, "match": 0.116, "best": true, "public": false, "match_window": "75s" }, { "id": "e3291ac7-3e49-4664-acc6-8ca0cde60dde", "len_s": 178.8, "match": 0.076, "best": false, "public": false, "match_window": "75s" } ], "run_at": "2026-10-17 ~21:14-21:17 PT", "note": "Made without the wander rule." }, { "name": "Delta Blues", "style": "Melody-forward instrumental, memorable lead melody on acoustic resonator slide guitar front and center, Delta blues, 120 BPM loping shuffle, fingerpicked bass line, harmonica, foot stomp, raw porch recording", "exclude": "vocals, humming, choir, countermelody, competing lead, dense layering", "lyrics_box": "[Instrumental Intro]\n[Instrumental Verse: slide guitar carries the main melody]\n[Instrumental Chorus: slide guitar repeats the hook]\n[Slide Guitar Solo]\n[Instrumental Chorus]\n[Instrumental Outro: fade out]", "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "082efe72-84b6-463f-a4bf-d655d34893a2", "len_s": 132.4, "match": 0.104, "best": true, "public": false, "match_window": "75s" }, { "id": "cad17c54-ec07-4b9f-b6c9-578e75b0fce8", "len_s": 166.36, "match": 0.077, "best": false, "public": false, "match_window": "75s" } ], "run_at": "2026-10-17 ~21:14-21:17 PT", "note": "Made without the wander rule." }, { "name": "Cool Jazz", "style": "Melody-forward instrumental, memorable lead melody on muted trumpet front and center, cool jazz, 120 BPM relaxed swing, tenor saxophone, upright bass, brushed drums, piano comping, West Coast late-50s club feel, live acoustic band", "exclude": "vocals, humming, choir, countermelody, competing lead, dense layering", "lyrics_box": "[Instrumental Intro]\n[Instrumental Verse: muted trumpet carries the main melody]\n[Instrumental Chorus: muted trumpet repeats the hook]\n[Trumpet Solo]\n[Instrumental Chorus]\n[Instrumental Outro: fade out]", "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "25115f19-658c-40db-a7e2-86b5a32edc0b", "len_s": 158, "match": 0.112, "best": true, "public": false, "match_window": "75s" }, { "id": "05e68e6e-7f1e-4830-8d0b-a0f4e4b210ea", "len_s": 189.12, "match": 0.053, "best": false, "public": false, "match_window": "75s" } ], "run_at": "2026-10-17 ~21:14-21:17 PT", "note": "Made without the wander rule." }, { "name": "Ambient", "style": "Melody-forward instrumental, memorable lead melody on soft electric piano front and center, ambient, slow evolving soundscape, warm synth pads, granular textures, long reverb tails, gentle pulse around 120 BPM", "exclude": "vocals, humming, choir, countermelody, competing lead, dense layering, drums", "lyrics_box": "[Instrumental Intro]\n[Instrumental Verse: electric piano carries the main melody]\n[Instrumental Chorus: electric piano repeats the hook]\n[Electric Piano Solo]\n[Instrumental Chorus]\n[Instrumental Outro: fade out]", "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "23346749-d360-47f1-87d6-54358fd83411", "len_s": 182.8, "match": 0.051, "best": true, "public": false, "match_window": "75s" }, { "id": "49d83632-2d88-4012-a43a-d1eedd0fe3a9", "len_s": 187.6, "match": 0.028, "best": false, "public": false, "match_window": "75s" } ], "run_at": "2026-10-17 ~21:14-21:17 PT", "note": "Made without the wander rule." }, { "name": "Synthwave", "style": "Melody-forward instrumental, memorable lead melody on analog synth lead front and center, synthwave, 120 BPM, arpeggiated bass synth, gated reverb drum machine, lush pads, retro 80s night-drive", "exclude": "vocals, humming, choir, countermelody, competing lead, dense layering", "lyrics_box": "[Instrumental Intro]\n[Instrumental Verse: synth lead carries the main melody]\n[Instrumental Chorus: synth lead repeats the hook]\n[Synth Solo]\n[Instrumental Chorus]\n[Instrumental Outro: fade out]", "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "74a77fbb-7ffb-43bb-b0de-7b1ca67c3a16", "len_s": 169.92, "match": 0.06, "best": true, "public": false, "match_window": "75s" }, { "id": "b9dd9cde-3ed7-4182-bed1-766034cf7fbe", "len_s": 163.2, "match": 0.055, "best": false, "public": false, "match_window": "75s" } ], "run_at": "2026-10-17 ~21:14-21:17 PT", "note": "Made without the wander rule." }, { "name": "Cinematic Orchestral", "style": "Melody-forward instrumental, memorable lead melody on soaring solo violin front and center, cinematic orchestral score, 120 BPM, symphony orchestra, strings, French horns, timpani, harp, quiet sparse verses, melody rests during the bridge, big return for the final chorus, live orchestra", "exclude": "vocals, humming, choir, countermelody, competing lead, dense layering", "lyrics_box": "[Instrumental Intro]\n[Quiet Verse]\n[Instrumental Chorus: solo violin carries the main melody]\n[Bridge: melody rests]\n[Big Final Chorus]\n[Instrumental Outro: fade out]", "settings": { "audio_influence": 78, "style_influence": 55, "weirdness": 10, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "6cd294ec-4f2f-461f-b6b5-9ae4a2f6ab62", "len_s": 158, "match": 0.092, "best": true, "public": false, "match_window": "75s" }, { "id": "a7207605-8c72-4aa5-a92d-781c50aa8642", "len_s": 189.96, "match": 0.057, "best": false, "public": false, "match_window": "75s" } ], "run_at": "2026-10-17 ~21:14-21:17 PT", "note": "Made without the wander rule." } ] }, { "id": "octave-down-complexity", "name": "Octave-down complexity", "kind": "instrumental", "blurb": "Wander+beat classic-rock family from the pitched-down Dypigobojy source. Steffen hearted Baritone guitar rock A.", "runs": [ { "name": "Classic Rock (octave-down)", "style": "Melody-forward classic rock instrumental with wander/return and beat dynamics, baritone-guitar weight from octave-down source, 120 BPM", "lyrics_box": "[Instrumental]", "settings": { "audio_influence": 70, "style_influence": 60, "weirdness": 20, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": true, "clips": [ { "id": "a7e7d293-cb01-45d1-b446-54d3072999af", "len_s": 172.64, "match": null, "best": true, "public": false, "pick": true, "pick_note": "Steffen loved this Baritone guitar rock A take (2026-10-18)." }, { "id": "c3952587-0aef-4e17-ac2e-669812ab1f8e", "len_s": 172.4, "match": null, "best": false, "public": false } ], "note": "Style basis for the Golden Gate vocal runs.", "run_at": "2026-10-17 ~22:33-22:38 PT", "why": "Octave-down source fixed the register; A is the hearted baritone-guitar rock take." } ] }, { "id": "vocal-golden-gate", "name": "Golden Gate vocal", "kind": "vocal", "blurb": "Male baritone lead on Steffen's Orange sky / Golden Gate lyric draft, styled after Baritone guitar rock A.", "runs": [ { "name": "Golden Gate (octave-down source)", "why": "First lyric pass in the style of hearted Baritone guitar rock A.", "style": "Melody-forward classic rock song, warm baritone male lead vocal sings the main melody front and center, overdriven baritone electric guitar answers the vocal in a low warm register, verses vary and develop the theme, half-time second verse, full groove chorus returns home to the main melody, stripped-down half-time breakdown, contrasting bridge, key change up a step for the final chorus, 120 BPM, crunchy overdriven rhythm guitar, Hammond organ, bass guitar, live acoustic drum kit, 70s arena rock, golden-hour warmth", "exclude": "female vocals, rap, choir, countermelody, competing lead, dense layering", "sung_lyrics": true, "settings": { "audio_influence": 70, "style_influence": 60, "weirdness": 20, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "2805f65f-d38b-4872-8542-0c95c465ec48", "len_s": 197.6, "match": null, "best": true, "public": false }, { "id": "68f7ec68-a044-490c-8694-c91c16c9f898", "len_s": 202.4, "match": null, "best": false, "public": false } ], "note": "Private. Local captures under soundcloud/dypigobojy/ (pre-keylift Golden Gate pair).", "run_at": "2026-10-18 ~09:15 PT" }, { "name": "Golden Gate (key-lift source)", "why": "Same lyric style on the key-lift source so Suno can actually take the final-chorus key change.", "style": "Melody-forward classic rock song, warm baritone male lead vocal sings the main melody front and center, overdriven baritone electric guitar answers the vocal in a low warm register, verses vary and develop the theme, half-time second verse, full groove chorus returns home to the main melody, stripped-down half-time breakdown, contrasting bridge, key change up a step for the final chorus, 120 BPM, crunchy overdriven rhythm guitar, Hammond organ, bass guitar, live acoustic drum kit, 70s arena rock, golden-hour warmth", "exclude": "female vocals, rap, choir, countermelody, competing lead, dense layering", "sung_lyrics": true, "settings": { "audio_influence": 70, "style_influence": 60, "weirdness": 20, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "384d7395-d6b9-401f-9bf6-355ea23017d4", "len_s": 197.6, "match": null, "best": false, "public": false, "note": "stays in home key through end" }, { "id": "22e7d8c2-53be-4949-928d-2dedc104edf9", "len_s": 212.76, "match": null, "best": true, "public": false, "note": "+2 key change from ~2:32 to end (analysis on Mini capture)", "pick": true, "pick_note": "Golden Gate vocal pick: real whole-step key lift at ~2:32" } ], "note": "Private. Local A/B under soundcloud/dypigobojy/ggk/. B is the one with the detected key change.", "run_at": "2026-10-18 ~09:45 PT" }, { "name": "Golden Gate indie A (key-lift source)", "style": "Melody-forward indie rock song, cool laid-back indie rock male tenor vocal sings the main melody front and center, understated slightly deadpan urban delivery, a little raspy, sung close to the mic, jangly overdriven baritone guitar answers the vocal, verses vary and develop the theme, half-time second verse, full groove chorus returns home to the main melody, stripped-down half-time breakdown, contrasting bridge, key change up a step for the final chorus, 120 BPM, tight garage-rock drums, melodic bass, 2000s NYC/SF indie rock", "exclude": "female vocals, rap, choir, countermelody, competing lead, dense layering, country, twang, southern accent, drawl, Americana, bluegrass, slide guitar, baritone vocal", "lyrics_box": null, "settings": { "audio_influence": 70, "style_influence": 60, "weirdness": 20, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "16311348-06b3-479b-aebc-7cb4414eae14", "len_s": 185.0, "match": null, "best": false, "public": false, "note": "home key to the end; no +2 lift" }, { "id": "3683f02c-6dcc-42e6-bed2-102d26a42526", "len_s": 180.8, "match": null, "best": false, "public": false, "note": "home key to the end; no +2 lift" } ], "note": "Private. Neither take kept the key lift (home key to the end).", "why": "Key-lift B's vocal leaned country; indie tenor redo on the same key-lift source.", "sung_lyrics": true, "run_at": "2026-10-18 ~20:16 PT" }, { "name": "Golden Gate indie B (key-lift source)", "style": "Melody-forward indie pop-rock song, dreamy indie male vocal sings the main melody front and center, soft breathy tenor sliding into falsetto on the chorus, intimate and effortless, shimmering reverb baritone guitar answers the vocal, verses vary and develop the theme, half-time second verse, full groove chorus returns home to the main melody, stripped-down half-time breakdown, contrasting bridge, key change up a step for the final chorus, 120 BPM, warm analog synth pad, indie pop-rock groove, tasteful drums", "exclude": "female vocals, rap, choir, countermelody, competing lead, dense layering, country, twang, southern accent, drawl, Americana, bluegrass, slide guitar, baritone vocal", "lyrics_box": null, "settings": { "audio_influence": 70, "style_influence": 60, "weirdness": 20, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "7c43533a-28f2-48c1-bfd5-98e5bc3c0a89", "len_s": 198.4, "match": null, "best": false, "public": false, "note": "home key to the end; no +2 lift" }, { "id": "f8de2bef-432b-4176-a4fe-82222b9beb99", "len_s": 205.0, "match": null, "best": false, "public": false, "note": "home key to the end; no +2 lift" } ], "note": "Private. Neither take kept the key lift. Steffen: indie takes sounded auto-tuned and generic.", "why": "Dreamy breathy falsetto alternative to the country-leaning baritone.", "sung_lyrics": true, "run_at": "2026-10-18 ~20:17 PT" }, { "name": "Golden Gate raw A (key-lift source)", "style": "Melody-forward raw live-band indie rock recorded in one room, natural unpolished male vocal with real character, slightly ragged, conversational, imperfect pitch, no auto-tune, no vocal processing, sings the main melody front and center, cranked tube amp baritone guitar with room sound, loose live drums with bleed, upright-feel bass, analog tape warmth, late-70s/early-80s San Francisco club band, gritty and human, verses vary and develop the theme, half-time second verse, full groove chorus returns home to the main melody, stripped-down half-time breakdown, contrasting bridge, key change up a step for the final chorus, 120 BPM", "exclude": "auto-tune, pitch correction, vocoder, polished pop production, overcompressed, EDM, synth pad, country, twang, drawl, female vocals, rap, choir, countermelody, competing lead", "lyrics_box": null, "settings": { "audio_influence": 82, "style_influence": 55, "weirdness": 20, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "c866dd7a-7750-4b02-9a66-0145204f3944", "len_s": 165.2, "match": null, "best": false, "public": false, "note": "home key throughout; clip ends 2:45, before the lift would come" }, { "id": "e4e7de8d-f8cc-4531-958c-27c4c52b9852", "len_s": 184.76, "match": null, "best": true, "public": false, "note": "+2 key change from ~1:52 (solid from 2:08) to end (analysis on Mini capture)" } ], "note": "Private. Take 2 (e4e7de8d) keeps the +2 lift.", "why": "Raw live-room club band, no auto-tune; Audio Influence raised to 82 to hold the lift.", "sung_lyrics": true, "run_at": "2026-10-18 ~20:45 PT" }, { "name": "Golden Gate raw B (key-lift source)", "style": "Melody-forward lo-fi garage band demo feel, live off the floor, natural expressive male vocal with grain and breath, cracks and all, no pitch correction, sings the main melody front and center, fuzzy baritone guitar through a small tube amp, roomy trashy drum kit, melodic bass, a few rough edges left in, intimate and real, verses vary and develop the theme, half-time second verse, full groove chorus returns home to the main melody, stripped-down half-time breakdown, contrasting bridge, key change up a step for the final chorus, 120 BPM", "exclude": "auto-tune, pitch correction, vocoder, polished pop production, overcompressed, EDM, synth pad, country, twang, drawl, female vocals, rap, choir, countermelody, competing lead", "lyrics_box": null, "settings": { "audio_influence": 82, "style_influence": 55, "weirdness": 20, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "6fc2b8f4-9687-4f99-8d49-7696d2b12543", "len_s": 194.32, "match": null, "best": false, "public": false, "note": "key wobbles +2/0 around 2:08-2:48, then home key; no sustained lift" }, { "id": "2744a1dc-7118-417b-a97d-3c8b717acbc3", "len_s": 192.0, "match": null, "best": false, "public": false, "note": "+2 only 1:36-2:08, then back to home key; no lift at final chorus" } ], "note": "Private. No sustained lift at the final chorus.", "why": "Garage demo cut live off the floor, no pitch correction.", "sung_lyrics": true, "run_at": "2026-10-18 ~20:46 PT" } ] } ], "next_up": true }, { "n": 3, "slug": "003-tasatynone", "title": "Tasatynone", "created": "2013-03-19 08:11 PT", "duration": "0:34", "plays": 4, "soundcloud": "https://soundcloud.com/steffenfrost/tasatynone", "sc_id": 83959345, "sc_artwork": "https://i1.sndcdn.com/artworks-000043332342-s5hust-large.jpg", "cover": null, "status": "Instrumental tests", "description": "Mostly percussion around a driving one-bar low riff.", "notes": [ "4 melody-forward instrumentals done (balafon, Gnawa guembri, surf guitar, sousaphone).", "The original is mostly percussion, so melody scores don't rank these; judge by ear." ], "lyrics": null, "melody_profile": { "tempo": "About 120 BPM. A 1-bar loop repeats every 2.0 s, with an 8th-note pulse of about 0.25 s. Fairly confident.", "key_mode": "A center. Pitched content is A2 with E3 (the fifth) plus rare Eb3/F#3 neighbor notes. Key/mode estimate is weak (correlation only 0.30), so the style text uses no mode words.", "range": "A2 to F#3, only 9 semitones.", "contour_hooks": "Not a lyrical melody: a driving 1-bar low ostinato, A-A-A-E-A (root repeated, fifth pops up 7 semitones and back). The commonest motifs are repeated roots and the +7/-7 root-fifth bounce.", "rhythm_phrasing": "Straight 8ths, strongly accented, loops every bar.", "texture": "Percussion-dominant: harmonic energy is only 0.05x percussive and just 22% of frames are pitched. The hook is rhythmic.", "mood": "Driving, hypnotic, mechanical.", "caveat": "With so little pitched melody, Cover follows the rhythm and riff. The prompts make the riff itself the lead so Suno doesn't invent a competing tune, but expect more variation between takes than on the other two tracks." }, "families": [ { "id": "melody-forward", "name": "Melody-forward", "kind": "instrumental", "blurb": "Melody is the star: one lead voice carries the tune, the style grows out of the melody, sparse support underneath.", "runs": [ { "name": "Balafon Ostinato", "style": "Melody-forward instrumental, memorable riff-based lead melody on Malian balafon, close-miked and front and center, West African griot groove, balafon carries the driving one-bar root-fifth ostinato hook and repeats it, soft djembe and shaker low in the mix, sparse, hypnotic, dry natural recording, 120 BPM", "exclude": "kora solo, horn section, drum kit, percussion ensemble, chant, synth, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: balafon lead only]\n[Instrumental Verse: balafon carries the main melody, sparse]\n[Instrumental Chorus: balafon repeats the hook, soft djembe enters]\n[Instrumental Verse: balafon carries the main melody, sparse]\n[Instrumental Chorus: balafon repeats the hook]\n[Instrumental Outro: balafon alone, fade out]", "why": "A percussive root-fifth 8th-note riff becomes a pitched, catchy hook on a balafon.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "371ba1cb-eb71-4f9f-931a-216deff23d1c", "len_s": 182.08, "match": 0.007, "best": true, "public": false, "bpm": 161.5 }, { "id": "dd0e837e-15f6-48d0-ac1f-c27319d97bae", "len_s": 135.96, "match": 0.0, "best": false, "public": false, "bpm": 161.5 } ] }, { "name": "Low-String Surf Guitar", "style": "Melody-forward instrumental, memorable riff-based lead melody on twangy surf guitar, close-miked amp, front and center, early-1960s surf instrumental, staccato picking of the driving low-string root-fifth riff with chromatic neighbor notes, quiet bass and light brushed drums underneath, sparse, raw spring reverb, vintage tape, 120 BPM", "exclude": "rhythm guitar layers, organ, saxophone, horn section, guitar solo, shredding, distortion, drum fills, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: surf guitar lead only]\n[Instrumental Verse: surf guitar carries the main melody, sparse]\n[Instrumental Chorus: surf guitar repeats the hook, light brushed drums enter]\n[Instrumental Verse: surf guitar carries the main melody, sparse]\n[Instrumental Chorus: surf guitar repeats the hook]\n[Instrumental Outro: surf guitar alone, fade out]", "why": "A 1-bar low-string ostinato with chromatic neighbor notes (Eb/F#) is literally how surf-guitar melodies are built.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "04c645f8-2b7a-46f8-a99f-bb02002a80f0", "len_s": 93.96, "match": 0.002, "best": true, "public": false, "bpm": 161.5 }, { "id": "1ea6c1a6-2371-4524-a92d-6be810d32cc5", "len_s": 81.6, "match": 0.001, "best": false, "public": false, "bpm": 161.5 } ] }, { "name": "Gnawa Guembri Trance", "style": "Melody-forward instrumental, memorable riff-based lead melody on Moroccan guembri bass lute, close-miked and front and center, Gnawa trance groove, guembri plays the hypnotic one-bar root-fifth ostinato hook and repeats it, light qraqeb metal castanets and soft handclaps low in the mix, sparse, earthy room sound, 120 BPM", "exclude": "chanting, call-and-response vocals, oud solo, drum kit, synth, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: guembri lead only]\n[Instrumental Verse: guembri carries the main melody, sparse]\n[Instrumental Chorus: guembri repeats the hook, light qraqeb enter]\n[Instrumental Verse: guembri carries the main melody, sparse]\n[Instrumental Chorus: guembri repeats the hook]\n[Instrumental Outro: guembri alone, fade out]", "why": "Gnawa is built on exactly this: a low guembri riff looping one bar for a hypnotic effect.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "27694d37-3399-4172-b891-35b30c732f08", "len_s": 125.6, "match": -0.001, "best": true, "public": false, "bpm": 161.5 }, { "id": "5e87b0cd-1ffb-47da-9c47-543cff153072", "len_s": 162.0, "match": -0.003, "best": false, "public": false, "bpm": 161.5 } ] }, { "name": "Sousaphone Street Groove", "style": "Melody-forward instrumental, memorable riff-based lead melody on sousaphone, close-miked and front and center, New Orleans brass band street groove, sousaphone carries the bouncing one-bar root-fifth hook, only snare and bass drum second-line beat underneath, sparse, playful, live outdoor sound, 120 BPM", "exclude": "trumpet solo, trombone solo, horn section stabs, saxophone, funk, chants, drum fills, vocals, humming, choir, countermelody, competing lead, dense layering, busy fills, wall of sound, reverb wash", "lyrics_box": "[Instrumental Intro: sousaphone lead only]\n[Instrumental Verse: sousaphone carries the main melody, sparse]\n[Instrumental Chorus: sousaphone repeats the hook, snare and bass drum enter]\n[Instrumental Verse: sousaphone carries the main melody, sparse]\n[Instrumental Chorus: sousaphone repeats the hook]\n[Instrumental Outro: sousaphone alone, fade out]", "why": "The tuba line is the melodic engine of a brass-band groove, so it makes the low root-fifth riff the hook.", "settings": { "audio_influence": 78, "style_influence": 50, "weirdness": 8, "variety": 0, "model": "v6 (chirp-hawk)" }, "pick": false, "clips": [ { "id": "d6654ead-1ec9-487a-bce2-ec09346a7b8c", "len_s": 69.2, "match": -0.002, "best": true, "public": false, "bpm": 161.5 }, { "id": "a241e149-e649-4e72-97df-25e03783dc64", "len_s": 106.6, "match": 0.0, "best": false, "public": false, "bpm": 80.7 } ] } ] } ], "next_up": false }, { "n": 4, "slug": "004-vodonavu", "title": "Vodonavu", "created": "2013-03-19 08:19 PT", "duration": "0:34", "plays": 3, "soundcloud": "https://soundcloud.com/steffenfrost/vodonavu", "sc_id": 83960361, "sc_artwork": "https://i1.sndcdn.com/artworks-000043332939-zevc1w-large.jpg", "cover": null, "status": "Original", "description": "", "notes": [], "lyrics": null, "melody_profile": null, "families": [], "next_up": false }, { "n": 5, "slug": "005-litoki-at-3720-scott-street-san-francisc", "title": "Litoki at 3720 Scott Street, San Francisco", "created": "2013-04-19 23:12 PT", "duration": "0:34", "plays": 85, "soundcloud": "https://soundcloud.com/steffenfrost/litoki-at-3720-scott-street", "sc_id": 88676562, "sc_artwork": "https://i1.sndcdn.com/artworks-000045959003-60ci6j-large.jpg", 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